没有和解
又名： 超清
演员：
达尼埃尔·于伊耶 JoeHembus 鲁道夫·托米 若阿内斯·巴尔斯基 PeterKneip HansZander MaxZihlmann MaxWillutzki 保罗·埃塞尔 KarstenPeters
类型： 剧情片导演： 让-马里·斯特劳布 达尼埃尔·于伊耶 地区：其它 更新时间： 2023-11-30 上映日期：1965
类型： 剧情片导演： 让-马里·斯特劳布 达尼埃尔·于伊耶 地区：其它 更新时间： 2023-11-30 上映日期：1965
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1.80s手机电影站提供《没有和解》80s手机电影免费下载和内容介绍。
2.《没有和解》80s手机电影下载资源格式为老实手机mp4格式和智能手机mp4格式，便于手机或ipad等设备播放！
2.《没有和解》80s手机电影下载提示：720p和1080p资源大多无字幕需要去专业字幕站下载字幕后,外挂字幕观看.
3.《没有和解》80s手机电影下载的下载链接地址和图文介绍均收集自互联网，本站不参与其制作和录制。
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影片介绍：
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
◎本站下载： 25 次
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
◎本站下载： 25 次
影片评论：
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence H
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence H
